Unnatural Helpers + Tyvek = Awesome. Noise Pop = a total ripoff.

Unnatural Helpers 7" cover

Noise Pop is a bunch of bullshit. The company behind this stupid festival, Noise Pop Industries, makes a big event of having a few good shows, which should be happening all the time anyway. No, wait, what am I saying? It already does. A lot of these bands play the San Francisco Bay Area already, and pretty frequently — the show I went to featured two S.F. bands on the bill, one of which, the Oh Sees, was the headliner.

The show was my first Noise Pop show. I had two spots on the guest list because I wrote a preview for what-shall-be-an unnamed publication. I was forwarded an email from the publicist, or more specifically from a co-worker of the publicist (important later on) saying I had a +1 on the list for the show.

Around the same time, Dean, drummer for the Unnatural Helpers, gave me permission to record his band at the show. I’ve acquired more recording equipment over the years and this was a great opportunity to try it out so I planned on bringing my equivalent of a mobile studio to the show. (Thank god I had a +1, though I don’t think Rob, my guest, appreciated having to carry two 10-pound microphone stands around Market St.)

This led to me making my first mistake — actually looking forward to going to Noise Pop.

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Don’t call it a come back! I’m just starting up again…

Kevin drumming

I can honestly say that the last two years of my life were the hardest I have ever experienced. I finished my master’s degree, got married, lived through a fatal car accident where my passenger died, spent months in court fighting a nine-month jail sentence… Usually I would end such a long, intense run down with a “Good times!” but I really can’t joke about experiences like that.

Now my life has calmed down and I can finally concentrate on doing what makes me happy — obsessing over music. So, for my first blog post since my hiatus, I am going to share some unreleased live tracks of my old band the Popular Shapes.

The shapes started in 2000, when the guitarist/singer Phi (real name Nick,) bassist/singer Lee and I started hanging out at shows. I used to love Phi and Lee’s old band The River Rats; they gave Screeching Weasel and the Angry Samoans a run for their money. But back then, whenever we talked about music, it was typically about our mutual love for the Pixies, Devo and the Hot Snakes. It just made sense to start a band with those influences in mind.
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