Taking me back a decade
Though I have plenty of reasons to feel “blessed,” being a music fan that lived in Seattle around the turn of the 21st century is right up there at the top.
I will be the first to admit that the music from Seattle in the early ’00s wasn’t earth-shattering — I can count the number of really great bands to come from that time on one hand. But those bands were the first steps to expanding my musical taste and teaching me that your favorite bands are typically not the flavor of the day.
Looking back, I bet I wasn’t alone. I swear within two years, the Seattle scene went from pretty much ALL New Bomb Turks and Heartbreakers rip-offs to every other type of band. Phrases like “Killed By Death” and “No Wave” seemed to have become common vernacular within a year.
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Of course I mean the Australian X
If you aren’t friends with Steve Lucas of X on Facebook, you probably don’t know the drama behind the band’s first tour of the U.S. in 33 years. Apparently Lucas has a herniated disk in his spine, causing him great pain when he sits for long periods of time, like when flying cross country or riding for hours in a van.
By touring, Lucas is ignoring doctor’s orders, which usually isn’t the best idea. On May 28, he wrote:
“I have been advised to end the tour. I was advised not to take it on. I am now being told I am in need of surgery as the real option. I would have to come home… defeated. The longer I stay seated (as in a bus for hours upon end) I increase the level of damage.”
But yet the tour continues.
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Slowly but surely, this empire will grow
Finally, all the free records I’ve been sending out to radio stations, publications and other label owners have paid off (sort-of): Lemon Session has made quite a media splash.
A quick Google search show the label name popping up in radio playlists all over the nation, including KDVS (Davis, CA), WUSB (Stony Brook, NY) and KEXP (Seattle, WA). One DJ named Jared who has a show called “What We Do Is Secret” (Tuesdays from 10:30 p.m. to 1 a.m. on KRCL in Salt Lake City, UT) even wrote a great article about the first four releases on the club.
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Plus bonus Intelligence video!
I was hoping I wouldn’t have to do this, but it just has to happen: The next 4 singles in the club (AKE, Steeples, Unnatural Helpers, Blowtops) will have smaller pressings; instead of pressing 600 of each, I will only press 300.
I want to put out more records and pressing 600 of each record is making that more difficult by being so expensive, as well as taking up the little room I have in my apartment. At some point I’d like to press all the records at amounts that don’t make them so “exclusive,” but at this point it’s just not possible.
I’m also going to shore up the number of possible subscriptions, from 475 to 210, so if you haven’t subscribed yet, you should do so now. I’m guessing that since we’re already close to reaching 210 that it won’t be long until I’m announcing that there are no more subscriptions.
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Apparently they played too fast?
I wish I could’ve gotten to the show earlier to set up. My dragging ass not only missed an opportunity to record the Bare Wires, I didn’t set up in time to get So Cow’s entire set. Combined with some weird guitar-mic issues, I properly recorded only about six songs of their face-melting set.
Listening to So Cow’s self-titled album is a bit like time travel to me. When I throw it on, it takes me back to my salad days, when I had a lot of time, little responsibility and a few punk cassettes — Descendents, Ramones, etc.
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But first, let’s talk about me
Things here at Lemon Session HQ have gotten seriously hectic with the Singles Club 2010 being announced and my entrance into show promotion here in the Bay Area. Between mailing dozens of records every day, and trying to find time to post fliers around Berkeley and Oakland, all the while being EXTREMELY lazy… it’s just left me with no time to do anything useful for this label.
So, onto doing something useful: Don’t forget to purchase a subscription to the Lemon Session Singles Club 2010. There’s still time to buy one, and economy be damned! — you can join for $12.* (Yes, that star means there’s stuff you should read at the bottom of this post that concerns money, mainly paying me money.) Click here to sign up.
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Proof that the guy who designed the Lemon Session logo is a shredder.
The Idle Times is one of my fave bands. As far as lo-fi psych bands go, the Idle Times AKA Brian Standeford has perfected the art of sounding raw and primal without sounding inept. As far as bedroom musicians go — and yes, all his stuff is recorded by him at his apartment with him playing all the instruments — he’s a virtuoso.
But my favorite part about this band? Brian records the drums on a toy drum set. I think he’s an inch or two over 6 feet, and a tall man playing drums on a tiny kit can’t NOT be funny.
Sure, you can’t tell that the drums are tiny from his records — he makes those 4-track recordings sound like he’s playing with a full band. (Or maybe you’re just distracted by the smoking guitar work.) But it’s the truth — those drums were meant for a tweener or younger but Brian got them for free and that’s what he uses.
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The moment a few of you have been waiting for.
From this idea’s inception it took me 11 months to get to this point. Personally, I don’t think that’s too long of a time to get eight records ready to sell, but if it is, I would love to know.
In theory it shouldn’t be that hard to send a CDR to someone in a different part of the country and have them turn it into a record. Yet it is, because:
A. You actually have to talk to two or three people;
B. You have to have the grip of money that’s required to be sent with it.
Oh, and one quick note: I’m doing this so I can start a label and put out more records you’d want. So, to make yourself feel better when you’re buying this, you can tell yourself you’re helping start a non-profit.
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I’m finally off my ass and doing this again. Yaaayyy.
After a year of ignoring this blog like it was homeless person asking for money, I’ve finally gotten off my lazy butt and did everything I said I would — I switched to Wordpress, redesigned the blog and bought the proper equipment so I could start posting video clips from my extensive VHS collection (something like 6 tapes, all awesome.)
I also began work on my record label. I already have my first eight releases lined up and all of them will be available through a singles club subscription I intend to start selling very soon. Make sure to check the “Releases” page for more information and updates.
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I can scream REALLY loud. (I also love Devo.)
So this post is a little late and a little rushed because I leave for the Dry-Shitties tomorrow. Still, I finally finished these goddamn demos and everybody should download them, distribute them, do whatever. They’re just demos, right?
But before I get to the songs, I have to show off/brag about my newly obtained Mark Mothersbaugh autograph. My wife’s aunt came over from Philadelphia to visit my in-laws for a few weeks and brought me a present — no, not the autograph, but a Men Without Hats “Safety Dance” 45.
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